Master Your Voice with a 24X Platinum Award-Winning Vocal Coach

Learn basic to advanced vocal techniques, emotional expression, and how to sing confidently with a microphone with Brad Chapman. Author of Sing From Feel.

Master Your Voice with a 24X Platinum Award-Winning Vocal Coach

Brad Chapman Radical Vocal Coach

Learn basic to advanced vocal techniques, emotional expression, and how to sing confidently on a studio microphone with Brad Chapman. Author of Sing From Feel.

Master Your Voice with a 24X Platinum Award-Winning Vocal Coach

Learn advanced vocal techniques, emotional expression, and how to sing confidently with a microphone—with Brad Chapman.

Results That Speak (and Sing) for Themselves...

From industry veterans to beginning voices, Brad’s radical coaching earns real results.

Legendary Music Producer

“Brad Chapman brought more talent and soul out of Rebecca De Mornay for our highly-acclaimed soundtrack than we could have ever imagined.”

Quincy Jones Testimonial

Multi-Platinum Producer

“Being the Producer of The Bangles Multi-platinum records; I can tell you that the vocal pre-producing Brad did with the girls, definitely took them to the heights of their already amazing recording artist talents.”

Robin Cage

Singer-Songwriter and Pianist

Glenn Abernathy

Singer/Songwriter

Brad Chapman

A Radical Vocal Coach

Hey, I'm Brad Chapman. If you've ever loved a song and wished you could sing it the way you feel it — you're exactly who I teach.

Forget what you think you know about vocal coaching. I'm not doing the typical stuff. My method isn't theory; it's proven, forged over six decades in music, nearly fifty of them coaching singers, including 24 platinum records as a vocal pre-producer.

I trained and worked alongside the field's legendary coaches — Seth Riggs, who coached Michael Jackson, and Roger Love, who coached Eminem — in the same studio, learning everything their systems teach at the source. Their philosophy: achieve absolute technical perfection — range, placement, control — and the emotion will eventually follow. That technique matters, and I teach all of it. But I built my practice on the opposite truth: you don't use technique to find the feeling. You let the feeling drive the voice. I turned that into a teachable method and wrote it down as the author of Sing From Feel. It's the difference in how I coach — and it's why they call me the Radical Vocal Coach.

That same approach is behind real records. My clients include Kevin Cronin of REO Speedwagon (whose Hi Infidelity went Diamond), Anita Baker, The Bangles, and Vivian Campbell of the 8×-platinum Whitesnake, now with Def Leppard — and I did the vocal pre-production that brought Rebecca De Mornay's performance to life for Quincy Jones, who put it this way: "Brad brought more talent and soul out of Rebecca De Mornay than we could have ever imagined."

Here's something most singers are never told. The old way of training — singing out into an open room to fill it with your voice — was built for opera and musical theater, where there's no microphone to help you. It's a magnificent art, but it's a different art. Contemporary singing lives on the microphone: in the car, through your earbuds, on every stage with a PA system. Think about it — have you ever heard your favorite artist come from anywhere but a speaker? The microphone changed what great singing even is: it freed the voice to be intimate, honest, emotional — all the things that actually move a modern listener. So from your very first warm-up, you'll train on a studio-quality microphone, through studio-quality headphones — the instrument you'll really perform on. Most coaches never do this, because most coaching is still built for a room you'll never sing in. It's one reason my students step onto a stage or into a studio already at home in their real, amplified voice.

The secret to unforgettable singing isn't hitting every note — it's feeling every word. In Sing From Feel, I distill more than sixty years in music and 24 platinum records into one teachable method: read the words, ask what they make you feel, and let that feeling drive every note. Whether you're stepping onto a stage for the first time or you've sung for decades — if you have a voice, this book is for you.

Brad Chapman in his studio

With decades of experience, Brad Chapman has worked as a Vocal Pre-Producer for some of the most influential artists in the music industry, helping them refine their voices and enhance their performances:

Brad’s expertise in vocal technique, microphone singing, and emotional expression has made him a trusted mentor for artists seeking to develop their unique sound.

Interested in working with a coach who understands what it takes to succeed?

Learn From the Greatest Muses in History

A muse is the artist whose voice moves you most — the one whose feeling you wish you could capture. Your muse might be Aretha, or Bruno Mars, or Adele, or whoever it is that makes you stop and listen.

Here's what most singers never learn: you can absorb what makes your muse great. Not imitate them — imprint them, until their phrasing, their timing, the truth under their notes becomes part of your voice. That's the heart of what I teach.

In my studio, we work directly with the recordings of the greatest voices in history — the ones you love. You'll learn to hear what you've never consciously heard before, and to take it into your own body until it's yours. I call the moment it happens the third voice: where you and your muse become one, and something new — unmistakably you — comes out.

Great artists have always learned this way, from the great artists before them. It was never a gift a lucky few were born with. It's a method. And it can be taught.

What I Offer

1 on 1 Vocal Coaching Brad Chapman

Most singers don't want endless, open-ended lessons that drift on with no finish line. Neither do I. So I teach in six-week programs — each one with a real goal, a clear destination, and a result you can hear.

And you pay per lesson, never ahead. You're never locked in, never out of pocket for the next step. You come back each week because you're making progress and enjoying it — not because you signed something. That matters, because enjoying it isn't optional in my work: a stoic performer is one most people don't want to watch or listen to. If you're not having fun or feeling passion, it won't reach the stage or the ear.

Every program includes a copy of my book, Sing From Feel, and from your very first warm-up, you'll train on a studio quality microphone through studio quality headphones — the way you'll actually perform.

Sing the Songs You Love: Build the Technique to Hit the Notes (6 weeks)

Struggling to hit the notes on your favorite artist's records? This is where we build the foundation — breath, range, pitch, and control — so you can finally sing what you hear in your head. You'll start working with your muses, the voices you love, and begin learning to hear what makes them great. The technical skills that free your voice — and open the door to everything that follows.

Make It Yours: From Correct to Unforgettable (6 weeks)

Once the technique is there, this is what separates good from unforgettable. Here you learn the Vocal Muse Technique — how to imprint the feeling of your muse, absorbing their phrasing, their timing, and the truth under their notes until it becomes part of your own voice. Not imitation — transformation. This is where the third voice appears: where you and your muse become one, and something new, unmistakably you, comes out. It's the part most training skips entirely, and it's the reason audiences remember you.

Performance Coaching Brad Chapman
Recording and Studio Preparation Brad Chapman

Perform From Feel: Command the Stage (6 weeks)

Stage presence, storytelling, and delivering with your whole heart — plus conquering performance anxiety. Everything you've built, made visible to an audience, so you don't just sing well — you move people.

Make Your Record (project-based)

The capstone. Produce your own recording with a 24-platinum-record vocal pre-producer — your performance shaped to its absolute best, something you'll keep and be proud of forever. Not a tourist studio experience: your voice, genuinely produced.

Each program is a finish line. When you complete one and you're loving it, the next step is there — but only if your heart's in it. No pressure, no lock-in. Just steady progress, one joyful week at a time.

Industry Mentorship Brad Chapman

FAQS

Who is vocal coaching for?

A: Anyone who wants to sing better and enjoy it — whether you're a total beginner who can't yet hit the notes in your favorite song, or a working performer chasing that last layer of connection. You don't need to be "talented" or experienced. If you have a voice, you can be taught.

I sing pop and contemporary music, not musical theater. Is that what you teach?

Yes — that's exactly my focus. Most voice teachers were trained in classical or musical-theater technique and quietly try to fit it onto pop singing. It doesn't fit. Think of it like apples and oranges — both are fruit, neither is wrong, but they're entirely different. I teach contemporary singing on its own terms: the sound, the feeling, and the way you actually want to sing.

Why do you train singers on a microphone?

Because it's the instrument you'll actually perform on. Have you ever heard your favorite artist come from anywhere but a speaker — in the car, through earbuds, on a stage with a PA? Contemporary singing lives on the microphone, and it rewards something different from singing out into an open room. So from your very first warm-up, you'll train on a studio-quality mic through studio-quality headphones. Most coaches never do this — it's why my students feel at home on a real stage faster than they expect.

What can I expect from a coaching session?

Expect a mix of vocal technique, emotional expression training, and performance enhancement. Every session is personalized for your unique voice and goals.

How are your lessons structured, and do I have to commit to a lot?

No long contracts. I teach in six-week programs, each with a clear goal and a result you can hear — and you pay per lesson, never ahead. You're never locked in. You come back because you're making progress and enjoying it, not because you signed something.

Do you offer online lessons?

Yes. My online lessons run on FarPlay, which is built for music and avoids the audio lag that makes Zoom or Skype frustrating for singing. In-person or online, the coaching is the same.

How soon will I see results?

Many singers notice a real difference in their tone, range, and expression early on — often within the first session. It's not magic; it's the right approach applied to your specific voice.

How much does it cost, and how do I start?

The best first step is a free 20-minute discovery call — we'll talk about your voice, your goals, and whether we're a good fit, and I'll walk you through the rate and the programs. No pressure.

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